又见桃花源—沈岳&阿海&林海钟作品展即将开幕

时间： 2025-02-26 11:17:59

沈岳 | 又见桃花源 | 纸本水墨 135×68.5cm 2025

序言（节选）

Preface（Excerpt）

沈岳出生于杭州，是中国美术学院（原浙江美术学院）恢复高考后的首届中国画专业学生。自幼师从陆俨少、吴茀之等大家，他深谙传统笔墨的精髓，却又不受其束缚。他的创作横跨绘画、陶艺、影像、装置和雕塑，展现出极强的跨界能力。这种自由的表达方式，正是他内心“解衣磅礴”气质的体现。

Born in Hangzhou, Shen Yue was the first student of Chinese painting at the China Academy of Art (formerly Zhejiang Academy of Fine Arts) after the resumption of the college entrance examination. Since childhood, he has studied under Lu Yanshao, Wu Fuzhi and other masters, and he is well versed in the essence of traditional brush and ink, but he is not bound by it. His practice spans painting, ceramics, video, installation and sculpture, showing a strong cross-border ability. This kind of free expression is the embodiment of his inner "undressing" temperament.

沈岳「又见桃源」系列之一纸本水墨110x61.5cm 2025

Shen Yue's depictions of birds and flowers are particularly evocative. His peach blossoms and birds seem to soar freely, imbuing the artwork with a sense of natural vitality and vigor. However, these creations are not mere representations of nature; they are expressions of the artist's inner emotions. In his paintings, the flourishing branches of flowers and the melodious chirping of birds serve as a tribute to freedom and harmony. Using paper and ink, he has constructed his own "Peach Blossom Spring," a place devoid of constraints, filled instead with abundant vitality and splendor.

阿海暗香 66x95cm 纸本设色 2014

林海钟香象如意图 144x76.5cm 纸本水墨 2024

林海钟自幼居于杭州宝石山下，西湖的烟云幻灭、风柳桃花深深滋养了他的艺术灵魂。他的作品以山水为主，传承中国画的古意，倡导 “ 以书入画，笔墨为宗 ” 。他将历代文人墨客对西湖的赞美融入笔尖，记录下与这片湖山的不解之缘。林海钟的山水画线条苍劲柔美，皴染变化有致，表现出山水的萧散、虚静与澄明。他的笔触看似漫不经心，实则暗含匠心，常在无心处显露出意存笔外的洒脱与飘逸。他深谙 “ 造化 ” 与 “ 心 ” 的关系：造化是自然山水的妙趣，而心则是艺术家的情操与胸怀。只有将二者融为一体，才能在山水世界中 “ 畅神 ” ，找到心灵的栖居地。

林海钟千岩叠翠 78x218cm 纸本设色 2024

“桃花源”不仅是地理意义上的秘境，更是心灵深处的理想国。本次展览的三位艺术家创作题材虽风格迥异，表达主旨却内核相通。他们以各自的方式，重新诠释了“桃花源”这一极具东方意蕴的文化符号。无论是沈岳笔墨间的忘我之境，阿海画纸斑驳中的澄明之光，亦或是海钟所描绘的湖山之间的心灵栖息，都在传递着同一个讯息：当你的心与世界、与天地万物链接在一起的时候，你就会感到无上的清凉与光明。而有过那样境界的人，是不会再有烦恼和疑惑的。

The "Peach Blossom Spring" is not merely a secluded place in the geographical sense, but an ideal realm deep within the soul. The three artists in this exhibition, despite their distinct styles of creative themes, share a common core in their expressive purport. In their respective ways, they have re - interpreted the cultural symbol of the "Peach Blossom Spring", which is imbued with profound Eastern connotations. Whether it is the state of self - oblivion in Shen Yue's brushstrokes, the light of clarity in the mottled paper of Ahai's paintings, or the spiritual sojourn amidst the lakes and mountains depicted by Haizhong, they all convey the same message: when your heart connects with the world and all things between heaven and earth, you will experience an ineffable sense of tranquility and illumination. Those who have reached such a state are free from the troubles of worry and doubt.

心中若有“桃花源”，何处不是水云间。

If there is a "Peach Blossom Spring" in your heart, every place is a haven of peace and beauty.

冯黎敏

Feng Limin

2025.2.8

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